Midnight hours blues

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Jack Mcgann
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Текст, перевод и аккорды “Midnight hours blues”
From dimock@das.harvard.edu Mon Jan 15 00:02:37 PST 1996 Article: 28864 of rec.music.makers.guitar.acoustic Path: re.wired.com!news.sprintlink.net!newsfeed.internetmci.com!gatech!newsfeed.pitt.edu!bb3.andrew.cmu.edu!casaba.srv.cs.cmu.edu!das-news2.harvard.edu!das!dimock From: dimock@das.harvard.edu (Allyn Dimock) Newsgroups: rec.music.makers.guitar.tablature,rec.music.makers.guitar.acoustic Subject: TAB: Midnight Hours Blues arr. Jack McGann (usual header material) Date: 14 Jan 1996 22:17:51 GMT Organization: Aiken Computation Lab, Harvard University Lines: 121 Sender: dimock@das (Allyn Dimock) Distribution: world Message-ID: <4dbvef$qr2@necco.harvard.edu> NNTP-Posting-Host: smalltalk.harvard.edu Xref: re.wired.com rec.music.makers.guitar.tablature:52796 rec.music.makers.guitar.acoustic:28864 ------------------------------------------------------------------------------- Guitar arrangements of Jack McGann. Many of you may not recognize Jack McGann's name as a guitarist since he never Recorded commmercially. You may however recognize the arrangement. Jack was Highly regarded among his peers for his arrangements of traditional blues, Ragtime, and swing music. He was also one of the most respected and admired Acoustic guitar teachers of the '70s and '80s. His arrangements have been Passed on by his students, grand-students, peers, peers' students, etc. Jack was also a social activist, and became nationally known for his fight For equal health care coverage for persons with AIDS. ------------------------------------------------------------------------------- Midnight Hours Blues Trad. Arrangement copyright Jack McGann Transcribed and tabbed by Allyn Dimock Permission obtained from the estate of Jack McGann for free distribution Of this tablature for educational purposes. Please consider making a Contribution of your time or money for AIDS research and/or for health Care reform if you use this tablature. Jack's version in A mixes measures of static bass notes with measures Of bass counterpoint. Contrast this with Dave Van Ronk's version in G Which uses only static bass notes. Both Jack's and Dave's arrangements For guitar seem to be influenced by Leroy Carr's piano arrangement. A7 roll E-------|---------------------------|-5---5-5---5-4---4-2------|-0 B-------|-5---5-----7-5---------5/7-|---7-----7-----5---3----2-| G-3s4s5-|-6---6---7---6---6---------|--------------------------| D-4s5s6-|(5)------------------------|-0-----------------0------| A-------|-0-----0-----0-----0-------|-------6-----7---------4--| E-------|---------------------------|--------------------------| | | | | | | | | | 3 E-0----------------0---------|-------5---3-----3--------| B-------4--s3--------0---1/2-|-------2---2-----2-----3s-| G-------2--s1--------1---1/2-|-----2---2----------------| D----------------------------|--------------------------| A-------3--s2--------2-------|-0-----0-----0-----0------| E-------------0--------------|--------------------------| | | | | | | | | 5 D E-5---5-----8-5-------------|-5---5-5---5-4---4-2------| B-7---7---7-------7-----5/7-|---7-----7-----5---3----2-| G---------------------------|--------------------------| D-0-----------0-------------|-0-----------------0------| A-------0-----------0-------|-------6-----7---------4--| E---------------------------|--------------------------| | | | | | | | | 7 E-0----------------0-------|-------5---3-------------| B-------4--s3--------0---2-|-------2---2-------------| G-------2--s1--------1---2-|-----2---2---------------| D--------------------------|-------------------0---1-| A-------3--s2--------2-----|-0-----0-----0---4-------| E-------------0------------|-------------------------| | | | | | | | | 9 E Ao E-0---------0-/4---0-------|-5---5-------0-----------| B-----0---0----------------|-4---4-----------4-3-1s2-| G--------------------------|---5-------5-------------| D-2------------------------|---------4---------------| A--------------------------|-0-----0-----0-----------| E-------0------------0---0-|-------------------------| | | | | | | | | 11 bru +1/2 E-----5-5-5-5-5-5-5-5-5-5-|-5---------3-----0-------| B-------------------------|-------3-----------------| G-2-----------------------|-------1-----------------| D-------5-----4-----3-----|-2-----2-----------------| A-0-----------------------|-------2-----------------| E-------------------------|-----0-0-----0-----------| | | | | | | | | Variation: setting up for a first inversion D6 in measure 2. 3 +-+-+-+-+-+ | | 1 | | | 4 +-+-+-+-+-+ | | | 2 2 2 5 +-+-+-+-+-+ | | | | | | 6 +-+-+-+-+-+ | | | | | 4 7 +-+-+-+-+-+ 1 E-------------------------|-----5-----7-5-----------|-0 B-5---5-----7-5-----------|-----5-----------7-------|-- G-6---6---7---6-----------|-----5------------------2|-- D-----------------7-6---5-|-4-----4-----4-----0-----|-- A-0-----0-----0-----------|-----------------------4-|-- E-------------------------|-------------------------|-- | | | | | | | | | Variation: parallel and contrary melodies in measures 9-10 9 E-4---2-0---2-0-----------|-----------------0-------|-- B-------------------4-----|-3-----2---3-4-----3---2-|-- G-------------------------|-------------------------|-2 D-2-----0-----------------|-------------------------|-- A-------------4-----3-----|-2-----------------------|-0 E-------------------------|-----0-1-----2-----4-----|-- | | | | | | | | | In the wee midnight hours, long before the break of day, 2x Oh, the blues come down, they tow all your mind away. Don't your mind get lonesome thinking back to days of long ago, 2x You know she used to love you, but now she just don't care no more.

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